Fine Art Pricing

New Fine Print Prices Effective June 1, 2006

The prices listed below, including "advanced price tier" images, are current as of November 2007.

* - Editions of 100 have the same price structure as editions of 150, except that prints 91 - 100 will be priced at market value (tier 7).

There were three images offered by the Friends of Photography in 11x14 open editions: Jackson Lake, Grand Tetons; Triangle Rock, Alabama Hills; and Leidig Meadow, Yosemite.  These same images are offered as Fine Art prints in edition sizes of 100 with the 11x14 size being available, but priced at standard tier rates. 

Finally, the current Artist Edition Prints are a specially priced and sized offering.  The price of current Artist Edition prints is not affected by this increase.

Presentation

All black-and-white gelatin-silver prints are made personally by me, and are processed and overmatted in 4-ply museum board to current archival standards. Unless specifically requested by a collector, my prints are generally not drymounted. For prints 11x14 and smaller, the print itself is signed and stamped and is corner-mounted in a "handling" mat. 16x20 and 20x24 are usually mounted to a same size 2-ply board, and this ensemble is then corner-mounted in the same fashion as the smaller sizes. This way the "mount" itself is relatively valueless, and should the mat or backing become soiled or damaged it can be replaced with a new one without affecting the print itself in any way. Because of the need for an approximately one inch print margin to accommodate this technique, the actual image area is a minimum of about two inches smaller than the nominal paper size. Each print is signed and numbered in the bottom margin of the print itself.

Prints up to 11x14 are generally overmatted to 16x20; 16x20 prints are matted to 22x28; 20x24 prints are matted to 26x32; and 24x30 prints are drymounted and matted to 32x40 on 8-ply board.

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